Thursday, April 24, 2008

Finals Week


Finals week begins Monday at lovely Mercer University and I am very much involved, albeit it largely under duress. I have to put the finishing touches on several design projects (and create a Joseph Cornell style box piece) as well as study for Psych and Scientific Inquiry. Naturally I am very anxious about how my GPA will fare this semester.

I was turned on to a Minneapolis (by way of Fargo) band called Hammerhead a couple of days ago. Pure AmRep goodness. Imagine Dinosaur Jr., Cherubs, and Helmet on a Birthday Party trip.

Tuesday, April 22, 2008

Fucking Assholes Don't Get It

FUCKING ASSHOLES DON'T GET IT:
How to tell if you or someone you know is a piece of shit.


By Gregory Mantooth
http://truespies.org/mantooth/



Reprinted without permission from MRR#298



THE ACOUSTIC GUITAR TEST:
Say you're at a party. Everyone's having a good time. You may or may not have had a few beers in you (although this is not a requirement for the test, simply an extenuation of the "good time" aspect). But you begin to get a little paranoid. "How do I know that these people aren't really assholes? Aren't really out to get me?" you ask yourself. These questions scratch at your brain so incessantly that you swear you'll break a bottle over some potential choad's face, jump out the window, or both.

But it doesn't have to come to that. The acoustic guitar is one of the best signs that you are in the midst of at least one extreme dickhead. If you can find a guitar in the house, place it in the middle of that crowded room. The first person to walk over to it and start strumming along is most likely the biggest douchebag at the party. And if people start cheering him on, feel free to lose your fucking mind and brutalize as many people while exiting through the living-room window.

There are a few things in this world that make me more nauseous than the sound of the acoustic guitar. It conjures deep repressed memories in my psyche, memories that are far too banal for me to face. Regardless, the acoustic guitar seems to be one of the main instruments for bringing most people's inner asshole to the foreground. I can only imagine their thought processes.

"Oh, woah, a fuckin' acoustic guitar! Holy shit! I'm fuckin' Neil Young! I'm motherfuckin' Willy Nelson! Fuck yeah! I'm never going to put this fuckin' thing down ever again! The wood fibers have fused with my palm! Me and this guitar are together forever!"

Oh yes, and I've heard the "electric guitars are, like, destroying the environment and exploiting people. Only with the acoustic guitar can we truly express ourselves outside the system." Noble sentiments for sure, but I'm willing to bet your persistence on strumming away at that thing is linked more with OCD and a wet dream involving you and Woody Guthrie. Sorry- for all your crooned rhetoric and generalizations and sentimentality, you do not resemble Woody Guthrie in any way. You always sound like that sweaty goon at church singing Kumbaya trying to lure the young to Jesus like the Pied Piper.




THE "I'M A NOISE ARTIST" TEST:
This time you're on a crowded bus and someone sitting across from you notices the pins on your jacket. This person will always point at them and say "cool band." Never will they actually say what band is on your pin. Beware, these people are like fucking born-again Christians and will use any means to start up a conversation with you. Before you can even say "uh, thanks" or ignore them, they will quickly segue into how they're in a band, but not really. "It's more, like, ambient noise stuff."

At this point you know you've been ensnared by an asshole. They will talk at you about how fuckin' sick their ring modulation is, how they circuit-bended some bullshit they pulled out of a dumpster, and how you should check out their MySpace. Somewhere in there they will talk about how they "used to be into that punk stuff, but it got old blah blah No Fun Fest blah blah Whitehouse blah blah blah Bastard who?"

Simply put- these Newjack Noise kids are no different than Christians or Army Recruiters who want to indoctrinate you into their cult of bullshit.




THE RON PAUL TEST:
Motherfuck every dickhead who supports this jiggling sack of black, oily diarrhea.

Monday, April 21, 2008

Shameless Promotion: Macon Venue Project

Macon, GA has one of the worst music scenes anywhere. Lots of bar rock & nu-metal artists, and more recently the hardcore and indie pop hipster groups. Some high school friends of mine are trying to open a new venue to try and revitalize the alternative musical scene in Macon that has been on ice since Liz Reed's closed in 2004. Though the bands that they have booked so far for benefits have been markedly generic and homogenized, the events have been well planned and promoted doggedly. If the project survives past initial stages, it could be a good step in Macon hosting large names and giving smaller bands a legitimate place to showcase their talents. Though hardly cutting edge or sensitive to diversity, Macon Venue Project is a great cause run by and for music fans.




http://www.maconvenueproject.com



The Two Man Gentlemen Band - Heavy Petting (2008)

A couple of years ago, the neo-Americana genre really took off with releases from O'Death and The Old Scratch Revival Singers. While championing a once-neglected, distinctly American/spiritual sound, the direction of the artists can become muddled- post-Squirrel Nut Zippers/Modest Mouse trappings, post-hardcore snarling, young white guys from the Midwest imitating old black guys from the South, etc. Fortunately for The Two Man Gentlemen Band, they have managed to avoid all these cliches with finesse. Dressed to the nines and kazoos in hand, professional buskers and raconteurs "Smilin'" Andy Bean and "The Councilman" Fuller Condon have crafted their finest album to date.

Released in 2008, Heavy Petting is the third album the Gentlemen have recorded for Serious Business Records. Sometimes swinging Charlestonian numbers, other times ragtime, or even a hint of Western flavor, the Gentlemen's "one style, all occasions" has found a definitive voice on this disc. Minimalist in every sense of the word (bass, banjo, kazoo, voice, and the occasional session drummer), the Gentlemen have most importantly converted an aging American form of composition to viable contemporary entertainment, complete with overt sexual innuendo. Stand out tracks include "William Howard Taft", "A Gentleman Knows How to Love", and "When Your Lips are Playing my Kazoo".